#Fingerstyle patterns pdf

If others find this system helpful, then I invite them to travel along in the journey. I am certainly not expecting this to become anything of use beyond my own personal learning methods. I have chosen names from the Spanish language, and also terms from some of SantaolallaРІР‚в„ўs work which utilizes the pattern. So, in order that I might learn the patterns easily and be able to repeat them when needed, I have decided to give names to each of the patterns. IРІР‚в„ўm almost certain that there is no universal or standardized system for naming the ronroco fingerstyle patterns that exist. With a name, the pattern can be recalled, used in new combinations, and shared with others. Without a name, the pattern has no identity and is easily lost or forgotten. Whenever one identifies a pattern in life, it needs to be named. As I learn more, IРІР‚в„ўll continue to name, document, and write about them. I am just beginning my journey on ronroco. These patterns are just a few amongst thousands that exist. This is definitely not meant as an informed voice of wisdom or knowledge concerning this instrument. I am a beginner, merely sharing the results of my own learning. Please understand that my current state of learning is very rudimentary and I donРІР‚в„ўt offer these fingerstyle patterns as a skilled virtuoso on the instrument. IРІР‚в„ўve found set of patterns that work for both 4/4 and 6/8 metrics and IРІР‚в„ўm creating some methods of naming and documenting these patterns. IРІР‚в„ўm now at a stage where I have learned a few interesting patterns and have started to work on ways to integrate and modify them. I was originally inspired to purchase and begin studying the ronroco through my observance of Gustavo Santaolalla and his playing technique. The fingers easily and gracefully fit themselves around this tuning and allow arpeggios to fluidly flow from simple fingerstyle patterns. One of the unique features of the ronroco is the re-entrant tuning and the fingerstyle possiblities this tuning system offers. This seems to be a very choreographic and balletic endeavour, capable of eliciting great beauty and reflective quality from the instrument. I like the wonderfully interactive interplay between strings and individual fingers that the ronroco re-entrant tuning offers. My own particular interest focuses on fingerstyle over strumming techniques. Instead of strumming chords, the player uses each individual finger (including thumb) on individual strings of the instrument to create the sound. The ronroco is a South American instrument that has gained contemporary prominence through the performances of Gustavo Santaolalla, who primarily uses a fingerstyle technique on the instrument.Р”Р‡igure 1 РІР‚вЂњ Santaolalla and fingerstyle (Encuentro en el Estudio, 2012)Р”Р‡ingerstyle is a word used to refer to a string playing technique that elicits sound through the careful use of the fingers of the right hand.

#Fingerstyle patterns pdf

pdf documentР’В of this learning resource here.)